L’Argent (1983) Robert Bresson’s last film is an austere study of the bleak Eighties where obsession with money drives youths into gangs of thieves. Their passing of counterfeit money implicates one young man who winds up in jail, with his daughter dying and his wife abandoning him. That act of injustice precipitates him into senseless murders, all coldly off-stage, glimpsed though partly opened doors. Here is a doorjamb. Here is a knife. Here is a hatchet in the grass. Slowly, systematically, Bresson follows hands stained by that forged 500 franc note.
Each thing has a value, a conservative
Auction estimate. The pearl is not the soul.
Nor is this flat earth; once off its edge.
Indifference replaces the heart.
BUY IT NOW! BUY IT NOW! BUY IT NOW!
The value of colored paper money
Lies in the exchange, blood by blow.
If anyone must suffer, let the others
Suffer more, while you relish their pain.
SELL IT NOW! SELL IT NOW! SELL IT NOW!
The stock market is not the economy,
They say, encouraging pensions to invest
In the giant roulette wheel of bulls and bears
Who buy and sell running scared.